Later, a revival of what was fancied to have been Gothic took medieval art by storm. Of the Gothic Revival in the 19th century (properly a revival of a revival) we find traces in the whole globe. And the Goths who now meet every year in Leipzig to hear Gothic rock music pay their own tribute.
So what are we to make of the Missale Gothicum, a fabulously old book of Christian liturgy made in France about 700 which the Vatican Library placed online this week in one of the major gifts of the year to historical scholarship?
Reg.lat.317 is not Gothic at all and its traditional title is entirely false, as Henry Bannister noted a century ago in his introduction:
... for it is not a missal, but a pure sacramentary, and the word Gothic in its time has borne many different meanings; at any rate, it was so called about five centuries ago, when someone inserted this title at what was then, and is still, the first page of the ms. One cannot say what he intended by it; it may ... have simply meant that to him Gothicum was synonymous with "ignotum" ...This codex, collected by Vossius and formerly at Stockholm, is of such huge importance that four editions of it have appeared: by Giuseppe Maria Tomasi in 1680, by Bannister in 1917, by Leo Mohlberg in 1961 and most recently and authoritatively by Els Rose in 2004.
Described by Bannister as "the oldest and nearly perfect sacramentary of the Church in the West", the manuscript was presumably written in a Burgundian scriptorium, and was most probably in use in the church of Autun. As an important source of the Gallican liturgy, and of early medieval Latin, a language in a transitional stage, it naturally has its own entry in Wikipedia. Enjoy it now online.
It is among 106 new manuscripts placed online on October 3, bringing the total to 5,585. Here is the full list:
- Chig.C.VI.163, autograph by Bernardino of Siena (died 1444)
- Patetta.1621
- Reg.lat.317, above, TM 66201 in the Trismegistos database.
- Urb.lat.151
- Vat.ebr.45
- Vat.ebr.46
- Vat.ebr.47
- Vat.ebr.57
- Vat.ebr.407
- Vat.ebr.438
- Vat.ebr.444
- Vat.ebr.445
- Vat.ebr.450
- Vat.ebr.452
- Vat.ebr.454.pt.1
- Vat.ebr.454.pt.2
- Vat.ebr.455.pt.1
- Vat.ebr.455.pt.2
- Vat.ebr.455.pt.3
- Vat.ebr.456
- Vat.ebr.457
- Vat.ebr.458
- Vat.ebr.461
- Vat.ebr.462
- Vat.ebr.463
- Vat.ebr.464
- Vat.ebr.465
- Vat.ebr.466
- Vat.ebr.468
- Vat.ebr.469
- Vat.ebr.475
- Vat.ebr.478
- Vat.ebr.482
- Vat.ebr.484
- Vat.ebr.494
- Vat.ebr.497
- Vat.ebr.500
- Vat.ebr.501
- Vat.ebr.502
- Vat.ebr.503
- Vat.ebr.504
- Vat.ebr.505
- Vat.ebr.506
- Vat.ebr.508
- Vat.ebr.516
- Vat.ebr.523
- Vat.ebr.546
- Vat.ebr.564
- Vat.ebr.565
- Vat.ebr.566
- Vat.ebr.571
- Vat.ebr.572
- Vat.ebr.581
- Vat.lat.175
- Vat.lat.217
- Vat.lat.265
- Vat.lat.439
- Vat.lat.539
- Vat.lat.544
- Vat.lat.692
- Vat.lat.822
- Vat.lat.857
- Vat.lat.859
- Vat.lat.868
- Vat.lat.871
- Vat.lat.876
- Vat.lat.883
- Vat.lat.885
- Vat.lat.891
- Vat.lat.893
- Vat.lat.900
- Vat.lat.902
- Vat.lat.907
- Vat.lat.910
- Vat.lat.915
- Vat.lat.918
- Vat.lat.919
- Vat.lat.924
- Vat.lat.928
- Vat.lat.938
- Vat.lat.940
- Vat.lat.941
- Vat.lat.944
- Vat.lat.946
- Vat.lat.948
- Vat.lat.956
- Vat.lat.967
- Vat.lat.968, Johannes de Capistrano (patron saint of jurists), Speculum Conscientiae, in 15th-century writing. Lowe: The final fly-leaves, fols. 151-2 (part of a missal), are in a 12th-century Beneventan hand:
- Vat.lat.974
- Vat.lat.975
- Vat.lat.978
- Vat.lat.980
- Vat.lat.1001
- Vat.lat.1015
- Vat.lat.1016
- Vat.lat.1018
- Vat.lat.1019
- Vat.lat.1036
- Vat.lat.1041.pt.1
- Vat.lat.1041.pt.2
- Vat.lat.1647
- Vat.lat.1742, a 15th-century manuscript of the Orationes of Cicero. Anthony Grafton's Rome Reborn catalog notes of fol. 2v below: Gaspare di Sant'Angelo's manuscript of Cicero portrays the Roman orator and his audience in contemporary dress before a gilt background: The image is framed in interlacing white vines or branches, one of the most common ornamental devices of the Italian illuminated manuscript of the Renaissance.
- Vat.lat.1766, Quintilian, Epistola
- Vat.lat.1860, Livy
- Vat.lat.7320, Valerius Maximus, De Dictis et Factis, with this wheel of fortune at fol. 145v:
- Vat.lat.10305, Giovanni Battista Natali, with many sample drawings like this baby
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